Jonathan Myles-Lea is recognised as the leading painter of portraits of country houses and gardens in the UK. Since 1991 he's created over 80 bird's-eye views in oils of historic buildings and estates for their owners. Country Life Magazine awarded Jonathan the title; 'Living National Treasure', and The Bodleian Library at The University of Oxford has made arrangements to preserve his archive. Throughout much of the artist's career, the British historian and former museum curator, Sir Roy Strong has been Jonathan's main patron friend and advisor.
Jonathan was was born on January 23rd, 1969 in the north west of England near the Lake District National Park, a picturesque area that in past centuries attracted poets such as Samuel Taylor Coleridge and William Wordsworth. It was also the place that Jonathan's hero; the artist and art-critic John Ruskin made his home in later life.
Jonathan is directly related to two English artists on his maternal grandmother's side: The English water-colourist and caricaturist, Thomas Rowlandson (1756-1827), and the English porcelain and watercolour painter Thomas Baxter (1782-1821). He attended Hutton Grammar School in Lancashire and then Malvern College in Worcestershire.
In 1989, after receiving his Bachelors Degree in The History of Art & Architecture at the University of London in 1989, the Anglo/Irish painter Francis Bacon befriended Myles-Lea. Bacon took the young artist under his wing and recognised that Myles-Lea was far more inspired by the natural world than by the urban environment, so he insisted that he should leave London in order to further develop his skills and to devote his life to art. (Read more about Myles-Lea's friendship with Francis Bacon here).
In 1991 Myles-Lea assisted his friend, Cornelia Bayley to restore a fine Jacobean manor house called Plas Teg in a remote corner of North Wales. It was Cornelia's suggestion that Myles-Lea should paint a view of the house to hang in the Great Hall, and the picture effectively became his calling card.
The painting of Plas Teg was included in a major exhibition at Sotheby's hosted by HRH The Prince of Wales. In 1997 and this extraordinary early exposure helped to initiate a long career in which the artist was commissioned to paint bird's-eye views and portraits of country houses, estates and formal gardens throughout The United Kingdom, Belgium, Holland and Germany.
Myles-Lea later moved his studio to 'The Folly', a gothicised 18th century cottage in The Laskett Gardens. His twenty-five year friendship with Sir Roy Strong, the former director of The National Portrait Gallery and the Victoria & Albert Museum in London has been a major influence on Myles-Lea's work after Sir Roy commissioned the Myles-Lea to create a bird's-eye view of 'The Laskett' in 1995.
A career highlight, and a departure from his landscape paintings came in 1997 when Myles-Lea was asked to paint a portrait of HM The Queen for The Drapers' Hall, one of London's twelve ancient livery companies. (See link to JM-L's Portraits)
In 2007 he was commissioned to create maps and paintings of Prince Charles's private home, Highgrove, in Gloucestershire, England. Myles-Lea's drawings of the garden appear on the cover of a limited-edition book written by The Prince himself: (link)
Myles-Lea's archive, which is in the process of being acquired by The Bodleian Library at The University of Oxford, consists of several thousand compositional drawings, sketches, letters and photographs. Inclusion in the Special Collections Department of The Bodleian archive is a rare honour for any living painter. He has been described by curators such as John Harris as "the modern master of the country house capriccio", and the successor to the artists such as Jan Siberechts (1668-1702), the landscape painter John Constable (1736 - 1837) and the artist and designer Rex Whistler (1905 – 1944).
Myles-Lea's continues to be inspired by the work of the 'Old Masters', with the late works of J.M.W. Turner being the predominant influence, both in technique and subject matter. Whereas Myles-Lea's earlier style was typified by meticulous preparation and the laying down of many fine 'glazes' of relatively thin layers of oil-paint, his later style, (begun at the age of 47), involves the bold application of paint, often in thick impasto, which sometimes includes sand, finely ground seashells or quartz, which he uses in order to bulk-up the medium. (See new work here).
From October 2017 has been a guest lecturer at Harvard Business School in Boston, USA. He maintains a busy schedule, mainly painting oil-portraits of homes and gardens to commission, but he travels frequently in Italy and the USA creating speculative works in his later, looser style.